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Re:18A UV pass filter for studio strobe lights


  • From: Gary Beasley <beasleyglb@xxxxxxxxxxxxxx>
  • Subject: Re:18A UV pass filter for studio strobe lights
  • Date: Sun, 18 Apr 1999 08:14:00 -0400

>Date: Sun, 18 Apr 1999 08:08:43 -0400
>To: infrared@xxxxx
>From: Gary Beasley <beasleyglb@xxxxxxxxxxxxxx>
>Subject: Re:18A UV pass filter for studio strobe lights 
>In-Reply-To: <199904180046.CAA27305@xxxxxxxxxx>
>
>Date: Sat, 17 Apr 1999 16:23:02 -0400 (EDT)
>From: Andrew Davidhazy <ANDPPH@xxxxxxxxxxxxxxxxxx>
>Subject: Re: 18A UV pass filter for studio strobe lights
>
>> I don't think you are correct.  Take a look at the
>> following web site:
>> http://hawk.foto.no/pinhole/nikon/index.html
>> The photographer, Bjørn Rørslett, uses a Nikkor 105 mm
>> UV lens with a Nikkon 18A filter and gets three
>> distinct colors in his pictures: red,  blue and white
>> using reflective UV photography techniques.  If he can
>> do it, why can't I?
>
>I remember seeing another example of uv photography where they described a
special uv color film, it was from a link to an ir page I found. If I
stumble on it again I will drop it to the list. Anybody else remember that,
showed a dandelion with a bullseye pattern on it?

>UV light: The same specimen on Fuji RTP film using the UV-Micro-Nikkor
lens 105 mm f/4.5 and the FF Nikon filter (Wratten 18 A equivalent). Note
the colour differentiation of the flower head. These details are not found
in visible light.
>

I looked at the same web site, that was the one I remember and the film is
indeed indicated in the quote above from the dandelion illustration. Now,
does anybody know what Fuji RTP film is?
Gary Beasley
http://beasleyglb.home.mindspring.com/

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