Mailinglist Archives:
Infrared
Panorama
Photo-3D
Tech-3D
Sell-3D
MF3D
|
|
Notice |
This mailinglist archive is frozen since May 2001, i.e. it will stay online but will not be updated.
|
|
RE: Questions about Horizon
- From: Willem-Jan Markerink <w.j.markerink@xxxxx>
- Subject: RE: Questions about Horizon
- Date: Mon, 14 Sep 1998 21:47:48 +0000
On 14 Sep 98 at 19:49, James DUNN wrote:
> <SNIP>
> The only other thing I'd suggest is to get into the habit of completing
> the last wind-on at the end of the film (by pressing the rewind button and
> then winding on) before you rewind the film. It is possible for the
> shutter to come open during rewind otherwise, though obviously it
> shouldn't. Your camera may or may not suffer from this fault (and it is
> difficult to tell).
> <Snip>
>
> Hi Peter
>
> Not sure if I understand the above Peter, but it may be related to a problem
> I have just had.
> One of the roles from my Horizon this week had overexposure at various
> widths and on several frames, a couple of areas are completely white, from 3
> or 4 mm to over 10mm at one point, I can't work out what has caused it as it
> is so erratic....maybe you could re-explain what you are referring to
> above........
Rule #1: try to rotate the transport lever in ONE single motion, not
in several short ones. I have seen a few shutters that went open
during transport, but the ONLY way to prove it was by this
multi-motion transport....a single motion was fine in every case.
Rule #2: watch out for straight sunlight into the lens, it can cause
exposure differences with a very pronounced vertical band, wherever
the sun is located. That's the down side of a moving lens, where a
fixed lens would only show those hectagonal shapes (according to the
form of the aperture)).
Rule #3: you might also want to ease the film transport if you are
using a tough film (the difference between brands and emulsions is
quite surprising....Kodak HIE is as smooth as velvet, but
Konica negative takes much more force to transport). Just wind the
film a bit 'out of the cartridge' with the rewind lever. This way
you'll never rip the perforation, not even in the most hectic
shooting, and it also makes it WAY easier to detect the very end of
the film (otherwise one might be tempted to squeeze out one more
frame, at which point the perforation might rip).
--
Bye,
Willem-Jan Markerink
The desire to understand
is sometimes far less intelligent than
the inability to understand
<w.j.markerink@xxxxx>
[note: 'a-one' & 'en-el'!]
|