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Sure, send me som estuff; and if you like, I'll
send you something.
Steve Shapiro
P.O. Box 4391
(No Rural Delivery)
Carmel, CA 93921
I mostly like the story about the shots rather than the
technique, unless there's a rare story with an unusual technique.
Steve Shapiro
dear steve- since you are only one
interested why don't i send you a
united nation stamp cover and related
paper. i would even show them on this page, but i don't now how to put scans
in and find them and send them. i have presario and canon multipass 5000. it
handles color.
there is no bibliography. i could do such. how would help youse?
it'd probably tick off craig-gobackbehindtherock-wood and, shucks we
wouldn't want that would we. every large group needs at least one rowdie. do
you want to send your snailmail addr, steve, as i extra wendy's ann. report
with foldout 360, color, but it is used about 220 degrees as my back was to
the store window. i'll put in envelope w. couple other reprint things here.
i have done lots of panoramic stuff
and i will try to create a list. you may be
starting controversy because
i don't want to upstage people starting
out. every picture is interesting, but the background is more interesting. i
cite aross two pages1982 time stock exchange pan shot. it was slow turn so
you can read clocks with diff times for seconds shown accidentally. see, ya
made me think back here behind this rock. simon nathan the
actual jobs are as interesting as what lens, what film. the down was just
passing 1000 in 1982 and i was there for time three days, i recall, and the
hulchera shot grabbed 'em.i just did. the b&w irs shot in time is
another explanation ya might find useful. thank you. makes me think.
simon bunte, german magazine, picked it up from time, used
the color shot as black and white, diagonally across two larger
pages.
Steve Shapiro wrote:
Simon, would you mind posting some of your
[published] credits? Some of us don't mind using the
library. I'm
interested in areophotography, because of the high quality lenses used,
the filters you must be aware of and the unusual films you must deal
with. Many of us
panorama photographers have to use those areofilms for our landscapes
and maybe you can advise us as to which ones are useful/which ones to
avoid. S. Shapiro,
Carmel, CA I'm
getting the hang of this font adjustment, bear with
me.-----Original
Message-----
From: East
Coast Photography <ecphoto@xxxxxxxxxx>
To: panorama-l@xxxxxxxxxxxxxxxxx
<panorama-l@xxxxxxxxxxxxxxxxx>
Date: Thursday, January 21, 1999
12:07 AM
Subject: Re:
roll film back for 5X7
Actually keep up
the enlarged font.
IT MAKES IT QUICKER FOR ME TO SPOT AND DELETE YOUR WAFFLINGS...
Craig (kick him off - sooner rather than later) Mason
ecphoto@xxxxxxxxxx
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