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FW: shift
- From: James Romeo <jromeo@xxxxxxxxxxx>
- Subject: FW: shift
- Date: Tue, 22 Feb 2000 00:01:14 -0500
-----Original Message-----
From: jromeo@xxxxxxxxxxx
To: kathjeff@xxxxxxxxxxx
Subject: shift
Date: Mon, 21 Feb 2000 23:58:29 -0500
Jeff This makes sense You put it well. I think in this talk some of us misinterperted the other. A frind of mine has put togather a camera using a Brooks with a 6x12 back he mounted off center he than can reverse the back for a great shift. Is my fixed 135 Noblex like the 120 up? Talking about shift I have a old 8X10 wide angle camera made by Korona it has a shift of 4 inches. up or down. The were called skyscraper's . I use Gundlach Rader extreme WA f16 lens on it. Its older than I and I am in my later 60's. The lens covers for most of the large shift. I have made some of my best platinum's from negs from it. Take care James
-----Original Message-----
From: kathjeff@xxxxxxxxxxx
To: jromeo@xxxxxxxxxxx
Subject: shift
Date: Mon, 21 Feb 2000 17:31:05 -0800
James
The Noblex 150 (120 film) has a fixed lens that has about a 2-3 mm up
shift that cannot be adjusted on the basic camera. Therefore you always
get more sky than foreground. By inverting the camera, that 2-3mm shift
is now down.
You cannot compensate for that with the level camera on a tripod no
matter how far you lower it.
The same is true of the Roundshot 35/35S. It has a 3mm shift upwards
(Fixed). I have used the Bogen horizontal arm to invert the camera, so
when I'm up on a mountain top, I want the camera to be completely level,
but looking down.
I have shot the Noblex and Roundshot from the top of the Golden Gate
Bridge towers. The 35/35S Roundshot had to be inverted, so the 3mm
shift was looking down. I have some examples of shots with the camera
inverted and right side up. Its an extreme difference. A difference
that could not be made by raising or lowering the tripod, wether its
five inches off the ground or 5 feet off the ground.
I'm now using the Super 35 Roundshot with shift and wedge, so I no
longer need to invert the camera.
Jeff
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