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Misc. Stuff...
- From: "Bruce Rosenberger" <BR3D@xxxxxxx>
- Subject: Misc. Stuff...
- Date: Fri, 8 Mar 96 00:18:43 UT
>Terry Mills is from Schuylkill Haven, PA. Where are they? (I'm too tired
right
>now to drag out my atlas. Where's that coffee some of you were talking
>about?)
Nancy, Hellertown is just outside Bethlehem/Allentown area (you know, made
famous by Billy Joel...) and Schuykill Haven is north of here near Jim Thorpe.
Unfortunately quite a drive for you (but you're always welcome at one of our
meetings!)
>) Bruce Rosenberger 3/56 - I enjoyed the survey results. Apparently I don't
>quite run with the pack on most of those. But one answer that really got me
>was about "Susan and David Pinsky." Well, I think David Starkman might >well
get jealous! (though I'm sure it's not the first time he's been called that!)
>:)
Oh my gosh! Did I really do that? I am soooo embarrassed! (I'm only allowed
decaf...?)
At 3:48 PM 3/3/96, Dr. George A. Themelis wrote:
>I mount to the window because this looks better to my eyes. And I know
>that I am not alone. Paul Wing and David Starkman have taken the same
>position in articles in Stereoscopy.
I'm reasonably certain that I understand 'mounting to the window', but I've
never heard of 'mounting to infinity' Could someone briefly explain what this
means?
I think that a 'through the window effect' that is properly used really makes
a picture, but have been told by other members of my club that it's looked on
as a cheap shot.
>In responde to Bruce's sruvey, I was amazed at the lack of knowledge of the
>pre-Realist cameras. Perhaps there just isn't the interest in them in this
>group. What if I put together a time line [with photos] with some
>descriptions of representative cameras- say from 1840s to present and
>publish it in INSIDE 3-d? Would this be of interest? Let me know since
>I'm working on the next issue.
>Dalia, Corte Madera, CA [northern calif]
I for one would love to see an article on this subject!
Bruce M. Rosenberger, Hellertown, PA, USA
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