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Re: The Stereo Realist
>But it is difficult to load! If you or anyone else has the secret to
>easy loading of the Stereo Realist, please let me in on it!
I don't claim that it is easy, but I found a way to maximize the
exposures on a roll with my Realist. I leave the advance/rewind knob
on rewind while I drop in the full cassette; I rotate the sprocket
wheel until the white dot is facing the back of the camera; I thread
the film under the tab and engage the sprocket with the sprocket
holes, thus turning the sprocket wheel a bit as I pull the cut end
toward the take-up spool; I press the film end into the take-up slot
and turn the winding knob ever-so-slightly to make sure it is pulling
the film; I replace the camera back and move the advance/rewind knob
to advance. Then I wind until it stops, once; press the release
button and wind again until it stops; take a picture (with the left
lens) of an address card or other identifier in case of film loss, and
then set out to take pictures. I always advance just before
exposure, rather than just after.
On the last two rolls of 36 exposure film, I was able to have my
first good double frame begin about 1/16 inch beyond the clear, light-
struck part of the leader, and the 30th (yes the THIRTIETH) exposure
end just before the tape on the taped-down end.
Ken Luker
_______________________________________________________________
Kenneth Luker, Assistant Director
Systems and Technical Services
Marriott Library
University of Utah
Salt Lake City, Utah
KLUKER@xxxxxxxxxxxxxxxxxxxxxxx
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