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Re: John!!!
John writes:
>Likewise, if you have seen pictures taken by this method that have
>more depth than they should by the two-lens understanding, it would be
>wonderful to hear about them and to hear how the existence of this
>excess depth was determined.
My understanding is that the claim was not 'more depth' but more
'depth distinction'. That large aperture SL3D does a better job
of distinguishing close points than two-small-aperture SL3D or two-lens 3D.
I posted a theory of why this should be true, and have a couple of
observations: 1. large aperture SL3D should be excellent for microscopic
work, where depth-of-field is not an issue. 2. large aperture two-lens 3D
should benefit from the same principle (increasing the aperture magnifies
the difference in image-point size between object-points at different depths,
which effect is most pronounced when one of the points is in the image plane)
Given #2 maybe a table-top experiment will suffice. One camera, one
lens, one object, diffuse lighting:
- open the lens and take picture - #1A
- stop down and take picture - #1B
- move the object ever-so-slightly to the left
- open the lens and take picture - #2A
- stop down and take picture - #2B
- move the object ever-so-slightly more to the left
- open the lens and take picture - #3A
- stop down and take picture - #3B
repeat the last three steps to produce #4A/B through #12A/B.
You now have a series of A-pairs taken with large aperture, and a
series of B-pairs with small aperture. The prediction is that
you can find depth in some A-pairs that you can't find in the
corresponding B-pairs.
If true, this experiment would validate a relationship between
depth discernment and aperture size. Aperture size is one of
the differences between Bill's SL3D and other 3D. The only
other one I can think of is that the two semidisk lens halves
share a common axis, which avoids the toe-in/parallel question
but has not been mentioned in connection with the depth question.
----
Reading Bill, John, Allan, and other's latest posts make me think
it's time for a nap ..urr... meditation.
Paul Kline
pk6811s@xxxxxxxxxxxxxx
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