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Re: Computer Enhanced Photos
- From: P3D Ronald J Beck 840196 <rbeck@xxxxxxxxxxxxxxxxxx>
- Subject: Re: Computer Enhanced Photos
- Date: Fri, 01 Nov 1996 09:22:52 -0600
photo-3d@xxxxxxxxxxxxxxx said:
> > There's also the question of computer enhanced photos. A good
> example is the Time Magazine's issue when O.J. Simpson's picture
> appeared. The photo had been "enhanced" to give his face some
> shadowing and made it a bit more sinister. So, the "artist" took an
> image and enhanced it to solicit an emotional response. Is this a
> good thing? A bad thing?
> How's that significantly different from taking a picture with
> lighting that provides that same or some similar sinister shadow
> effect? Say, with appropriately placed flash lighting by an
> assistant?
That's exactly my point! How is it different? And why should it be
handled differently in a competition? I've read people's comments
regarding high-end computing capabilities & such and how that "changes
everything". However, nobody's mentioned how a photographer can also make
a lot of changes and/or enhancements in his/her own darkroom. But, not
everybody has a darkroom! Well, does that mean that competitions are then
divided by who has a darkroom and who doesn't?
It just seems that computer enhanced imaging is an extension of the
photographer's capabilites. Not everyone has it just as not everyone has
a darkroom.
Ron
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