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Re:Seattle Film Works
- From: P3D Gregory J. Wageman <gjw@xxxxxxxxxx>
- Subject: Re:Seattle Film Works
- Date: Wed, 18 Dec 1996 18:52:27 -0800
Derek Gee comments:
>I talked to a SFW rep on their Customer Service line a few months ago,
>and the film in question is Agfa Motion Picture film, not standard
>Agfa negative film. How else did you think you were going to get
>pictures and slides from the same neg?
Easy, the same way you get prints & slides from Kodachrome, Ektachrome
or any other chrome film: print the slide onto a paper designed for
the purpose, like Ilfochrome or the Fuji paper. Only difference here
is you don't get a negative, just slides and prints, unless of course
you make an interneg, in which case you get the same results (except
that the slides are first-generation and the prints are third).
So if your information is correct, which are the originals, the slides
or the negatives?
>My prints and slides look OK, but they're very grainy for 200 ASA
>film. The cost for processing at SFW is too high, unless you absolutely
>have to have both prints and slides from the same neg. And don't
>forget that this motion picture film has limited archival stability.
>Derek's recommendation: Stick to standard films!
I still don't see the logic of using motion picture stock, unless it's
grossly cheaper than other color negative film.
-Greg W.
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