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Re: Ortho and Hyperstereo
>The classic 3-D Stereo definition of "Ortho" is that the viewed images,
>taken at the interocular of the observer, will be presented at the apparent
>size the observer would have experienced from the taking position.
>Except for those folks who have the same IPD as the lens spacing of the
>taking camera, the classic ideal is by definition unattainable.
Of course! But who cares for the "philosophical" definition? In practice
deviations of 10% or more will not make a significant (=observable)
difference. But it will make a difference when the difference is 100%
or more and in certain subject it will be questionable.
>I *have* had good results with two to four times standard interocular
>for scenics with little foreground.
As I said, I like effective hyperstereos. One thing I do not like is
shooting ordinary scenes (for example, people is rooms, etc.) with
twin SLRS with 2-3 times the interocular spacing. These do not work
for me and my viewing systems. I remember the VM set from the TV
show "Full House" (hey, I am a collector, for a good price I'll buy
anything!) had many ordinary scenes looking too hyper. I just checked
"Blossom" (collector, remember?) and this is not too bad but still
unnecessary hyperstereoized. I suppose the VM photographer is using
twin SLRs with increased separation?
How about hypostereos? There ortho is not a choice. But there is a
choice regarding the amount of deviation built into them.
George Themelis
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