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This mailinglist archive is frozen since May 2001, i.e. it will stay online but will not be updated.
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To Custom Realist Users
To those of you who regularly use a Custom Realist, and to those
who have a lot of experience with a Custom Realsist slides or prints:
I've read as much as I can find on subject in the archives, but was
wondering if there were more revelations on the topic.
Why do you use your Custom, and do you prefer it over other stereo
cameras that you have? On average (I know lens quality was variable
in the 50s). How do you compare its performance to others?
Where can I get a copy of the Custom Realist article in:
Stereo World Vol 19 #2 - May/June 1992
After seeing what Customs can go for, I'm trying to decide whether to
sell my newly acquired Custom, and buy a different camera of equal or
better quality (any suggestions) and maybe come out cash ahead, or to
just use it.
Also, do you recommend Jess Powell or Ron Zack to do the overhaul.
You can answer that off list.
So far the advice I've received is, "get it serviced, and use it until
you get a feeling for yourself whether you can part with it or not."
Thank you all in advance,
--
Sincerely,
Grant Campos
gccampos@xxxxxxx
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