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Kodachrome, vs.
When I began shooting stereos in the early 1960s I tried a couple of rolls
of Ektachrome as an alternative to Kodachrome II (ASA 25). While the extra
speed was useful, I was always disappointed by the increased graininess
and reduced saturation and sharpness. I quickly went back to Kodachrome.
Looking through the Ektachromes, I must say that the color has held up
well over the years.
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Michael Kaplan
Professor of Architecture
University of Tennessee, Knoxville
mkaplan@xxxxxxx
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