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Re: Shift lenses for 3d cinematography
- From: P3D henry chung <magicmtp@xxxxxxxxxxxxxx>
- Subject: Re: Shift lenses for 3d cinematography
- Date: Wed, 29 Oct 1997 13:39:46 +0800
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> Thank you so much for the explanation of why filmmakers would use convergence
> instead of shift. Perhaps you and I need to build some shift lenses. What
> format would these be for? 35 mm? 70 mm? I think in most cases you might
> be able to use shift lenses with the standard two-camera setup that looks
> through mirrors. It could be fun to try! I think we would have to use
> encoded steppers or servos since the cameras are separate. If it were one
> camera with two film strips we might be able to do something much more elegant.
>
> John
>
Dear John,
Well yes,two strips in camera, elegant but how to vary the interaxials?
John A. Norling had designed this camera of elegance for 3-d filming in 1956.
Here is one of the elegant camera of today:
http://www.imax.com/innovations/services/cameras/3dcamera/
Thanks,
Henry
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<HTML>
<BLOCKQUOTE TYPE=CITE>
<PRE>Thank you so much for the explanation of why filmmakers would use convergence
instead of shift. Perhaps you and I need to build some shift lenses. What
format would these be for? 35 mm? 70 mm? I think in most cases you might
be able to use shift lenses with the standard two-camera setup that looks
through mirrors. It could be fun to try! I think we would have to use
encoded steppers or servos since the cameras are separate. If it were one
camera with two film strips we might be able to do something much more elegant.
John</PRE>
</BLOCKQUOTE>
<P>Dear John,
<P>Well yes,two strips in camera, elegant but how to vary the interaxials?
<BR>John A. Norling had designed this camera of elegance for 3-d filming
in 1956.
<BR>Here is one of the elegant camera of today:
<P><A HREF="http://www.imax.com/innovations/services/cameras/3dcamera/">http://www.imax.com/innovations/services/cameras/3dcamera/</A>
<P>Thanks,
<P>Henry
<BR> </HTML>
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End of PHOTO-3D Digest 2379
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