Mailinglist Archives:
Infrared
Panorama
Photo-3D
Tech-3D
Sell-3D
MF3D

Notice
This mailinglist archive is frozen since May 2001, i.e. it will stay online but will not be updated.
<-- Date Index --> <-- Thread Index --> [Author Index]

P3D Re: Stereo Camera Cases


  • From: "Gregory J. Wageman" <gjw@xxxxxxxxxx>
  • Subject: P3D Re: Stereo Camera Cases
  • Date: Thu, 25 Jun 1998 17:56:22 -0700 (PDT)


>> I will switch, for example, from Velvia (50ASA) to E100S (100ASA) if it

>The difference from his ASA 64 and your ASA 50 is going to make
>a significant difference?  My finesse has a LONG way to go.

50 to 100 is a full stop.  It can mean a full stop faster shutter (e.g.
1/125th instead of 1/60th) or a full stop smaller aperture (e.g. f8 instead
of f5.6).  That can mean the ability to un-blur a moving subject, or
allow a greater range of in-focus depth in the shot.  Yes it makes a
difference.  It gives you back creative options you wouldn't otherwise have.

>> At a really photogenic
>> place like, say, Marine World in Vallejo CA., I have been known to shoot
>> 5-6 rolls over the course of a day.

>You do that "daily"?  If I did 6 rolls "all the time", I'd be twelve
>centuries behind in my mounting rather than only a couple decades behind!

Who says I'm not?  :-)  One of the advantages of the RBT is that once I
go through the slides on the sorter and pare down to the "keepers", "mounting"
consists mainly of affixing red and green dots and putting the slides into
Carrousel trays.  The ones I save out for hand viewing do have to be
remounted, but that's usually a small portion of the total, and mounting in
RBT mounts is (literally) a "snap".

        -Greg


------------------------------