P3D Fuji chrome films

[Lme Kbee <jet_lk@xxxxxxxxx>]

The Provia F is actually called RDP3 not RAP3 (I made
a mistake in the last message).  The RMS 100-800 is a
stock that I have in the fridge, but I haven't tried
it yet.  I mainly shoot in controlled studio lighting
situations and can use 100ASA at f16 no problem.  I
want to do some outdoor stuff at night, and will try
the film soon.  From what I understand, it is the
color that stays the same not the grain, at different
speeds.    

A new option in film that has just come up is an
amazing improvement at Dale Labs.  I haven't sent them
any stereo shots yet, but from a 2d slide that I saw,
the color was vibrant, and the grain was very slight. 
I will be shooting some Fuji Superia (neg), and send
it to Dale labs in the next few weeks to try it out. 
If you go to www.dalelabs.com you can find an order
form.  It is the normal "slides from negs".  It only
costs about $8 to proccess the film and get slides
back.  I recomend calling them or e-mailing them to
make sure what to put on the order form.  They told me
that puting on the form "Studio flash, video anylise,
do not cut" would work for the way that I shoot.  This
means that someone will actually check for a properly
exposed frame near the begining, then color balance
and set the exposure based on that frame for the rest
of the strip to be printed.  Other wise they actually
have a computer that analises every frame as it
prints.  The idea is for normal 2d (yuck) photos, that
even if you are over or under the proper exposure a
bit, each slide should come out right.  In part due to
the latatude that neg film has.

Lincoln
www.lincoln3d.com


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