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P3D Re: PHOTO-3D digest 3638
- From: Rehotshots@xxxxxxx
- Subject: P3D Re: PHOTO-3D digest 3638
- Date: Sun, 12 Dec 1999 03:49:14 -0700
Thank you Larry for the clarification on crossing one's eyes to view stereo
photography. I feel much better about trying it now. However, at the moment
my eyes are already crossed from sewing for so long today. Well they at
least feel like they are. I think I'll wait and try that tomorrow.
Well, not to wear the subject out, hopefully... Art galleries have limited
space and must choose out of the tons of work out there. I'm not sure, but I
think that choice is made by a single person, the curator. That in itself
seems unfair to me, if in fact it is
the case. For some odd reason our species is extremely influenced by what
the media pitches. If something is in an art gallery does that mean that we
have to accept it as art? If an artist gets his/her work in the Louve it
will bring a higher price at auction than if he gets in a gallery in New
York. If he gets in a New York gallery
it will bring a higher price than if he gets it in Chicago , etc., etc... It
generally is a lot of hype. Personally, I like to get my art work at craft
shows. I once saw a man make sculptures out of buckets with some kind of
welding torch. Now , to me that was very creative. And they were very good.
They were characters, like a man fishing or a woman dancing. They weren't
so realistic that they were boring, but they weren't so abstract that you
couldn't figure out what you were looking at either. But, that's just me. I
have never personally felt that anyone else's judgement, curator or not, was
any better than mine. Art is subjective. I don't really think that it can
be defined. It is not a science. Trying to define art is like trying to
define love. However, in art class I remember being told that "a great"
artist' work must reflect the age in which he lives. Well, the things you
saw certainly did that. The things you saw certainly sound like commentary
on the state of our society to me. They disturbed you so it sounds like they
were effective. Maybe that is how the artist wanted you to feel--disturbed
by the lack of beauty in our society and disturbed by the violence in our
society. Would I want this stuff in my house? No. Do I think it is art?
Yes.
Well, I would have to know a little bit about the artist, but I think that he
had a feeling
about all this and was trying to express that feeling and he did it in a way
that we have not seen before. Will it be remembered through the course of
history? Probably not because we tend to block out negative things. I think
this, or these artists will be forgotten in time, simply because the subject
of their work is negative.
Who knows, maybe I'm reading it all wrong. Maybe these guys love tar and
steel and are racists.
The brick on your building is more like an exact science. However, I know a
brick mason who so loves his work that, to him, it is art. Who am I to say
it isn't?
The dirt and weeds in your yard are probably not art, but the dirt and weeds
in Prince Mongo's yard probably are art, because of intent. He probably
grows weeds intentionally, preferring them over roses. Art is intent, art is
communication, commentary, inventiveness, style, it evokes emotion, it shows
us something we haven't seen that way before, it's a perspective, it's
composition. Art is wit, it's
sensitivity, it is the expression of everything that we are and we are
certainly not
just sensitive to aesthetics.
And by the way, I think you wrapping your dog in aluminum foil and painting
him green and hanging him in a tree is very creative and I would definitely
consider that
art. I may not realize that it was commentary on the absurdity of what is
called art, but I probably realize that it was commentary on absurdity. You
have proved my
point that we are all creative. Your letter was creative. I could feel the
heat coming from the page. Do you put this kind of passion into your
photography? Can't wait
to see some of them.
I think that is really sad that there was no photography. Photography is so
prolific.
It's everywhere. It's actually more popular than the printed word. We just
don't call
it art and that's what tics us off. I don't have much time to watch TV, but
I've seen
commercials that I thought were art and some of these photographs in magazines
to me are art. Why do we have to see it in a gallery before we can accept
it as art?
But, youre right, we should be represented there and we have been in some
places.
In Memphis we have paintings, sculptures, photographs and films all the time
and
photography is taught here as an art form in the school of art. What I would
like to see is a gallery exclusively displaying photography and the different
processes and
periods and styles and uses: halograms and stereo and conventional and
films.
Wouldn't that be a blast?
The Renaissance artist, whom so many galleries revere, were actually
considered
artisans or craftsmen during their on time. Illustrator's have only in
recent history
come to be considered artists by galleries. So what we see in galleries is
basically
limited by the limitations of those chosing the work to display. Broaden
this guy's
perspective. Show him some photography that you feel warrants display. He's
just a man like you. Put's his pants on one leg at a time, just like you.
Surely he's familiar with Adams, Weston, and Cartier-Bresson, (thanks
Howard). Maybe you can convince him that we need a whole section as they
have here in Memphis.
I am so excited to find this group. This is really the manifestation of a
childhood
dream I've had since I first picked up a viewmaster. Has anyone out there
ever tried
to make a stereo photo or slide out of 2 totally different scenes, but
related? Kind of
like a double exposure in conventional photography? Can it be done
effectively?
-Teri
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