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P3D Dale Labs and Kodak Processing
- From: King3ddd@xxxxxxx
- Subject: P3D Dale Labs and Kodak Processing
- Date: Sat, 12 Feb 2000 00:07:36 -0700
In a posting earlier this evening regarding Dale Labs, I neglected to
mention
that the results are better suited for stereo images of half frame (nimslo)
or larger (5,7,or 8 sprocket) than for the viewmaster format. This is just
my personal opinion though, and you may feel otherwise. I just find that
the
small VM image seems to suffer more from the slight loss of sharpness than
do
the larger formats. However, since VM stereos can not be readily
duplicated
in your average photo lab or by the use of your own slide copier, (assuming
that you do not have access to a Repronar or an Illumitron), then,
basically,
for VM, your only choice is to shoot dupes in camera or to use Dale.
As far as some of the postings regarding the lack of dependability and
quality of some of the slide processing labs, I have found the Kodak
(Qualex)
processing lab on Route 208 in Fair Lawn, N.J. to be quite dependable.
They
do alot of processing of all 3D formats and I am not aware of any problems
encountered by anyone using them (not to say there aren't any - I just have
not heard of any from the many people I know who use them). There have
even
been ocassions where one forgot to mention or ask for "do not cut - do not
mount" and they still, upon recognizing the 3D format, did not cut or
mount.
I sometimes have the opposite problem when I shoot full frame and send it
through as "normal" slides for mounting, and get it back unmounted, since
they think that I forgot to tell them not to mount. I then have to explain
that even though it is 3D, the full frame format can be mounted without
destroying the pictures. They have trouble understanding that concept,
despite my attempts to explain it. This is not a problem anyone else has
to
worry about, as I have been using them for over 20 years for VM, Realist,
Nimslo, and full frame and they expect that all my slides are 3D, even
though
there are times when I do shoot flat. (but they are rare ocassions!) I do
not know if you can designate your film to be sent there if you are out of
the area. I would like to hear from others whose slides are processed at
this plant and if you also have found them to be as reliable as I have.
Years ago they did realist mounting, but not anymore.
Sheldon Aronowitz
- From: King3ddd@xxxxxxx
- Subject: P3D Dale Labs and Kodak Processing
- Date: Sat, 12 Feb 2000 01:56:04 EST
In a posting earlier this evening regarding Dale Labs, I neglected to
mention
that the results are better suited for stereo images of half frame (nimslo)
or larger (5,7,or 8 sprocket) than for the viewmaster format. This is just
my personal opinion though, and you may feel otherwise. I just find that
the
small VM image seems to suffer more from the slight loss of sharpness than
do
the larger formats. However, since VM stereos can not be readily duplicated
in your average photo lab or by the use of your own slide copier, (assuming
that you do not have access to a Repronar or an Illumitron), then,
basically,
for VM, your only choice is to shoot dupes in camera or to use Dale.
As far as some of the postings regarding the lack of dependability and
quality of some of the slide processing labs, I have found the Kodak
(Qualex)
processing lab on Route 208 in Fair Lawn, N.J. to be quite dependable. They
do alot of processing of all 3D formats and I am not aware of any problems
encountered by anyone using them (not to say there aren't any - I just have
not heard of any from the many people I know who use them). There have even
been ocassions where one forgot to mention or ask for "do not cut - do not
mount" and they still, upon recognizing the 3D format, did not cut or
mount.
I sometimes have the opposite problem when I shoot full frame and send it
through as "normal" slides for mounting, and get it back unmounted, since
they think that I forgot to tell them not to mount. I then have to explain
that even though it is 3D, the full frame format can be mounted without
destroying the pictures. They have trouble understanding that concept,
despite my attempts to explain it. This is not a problem anyone else has to
worry about, as I have been using them for over 20 years for VM, Realist,
Nimslo, and full frame and they expect that all my slides are 3D, even
though
there are times when I do shoot flat. (but they are rare ocassions!) I do
not know if you can designate your film to be sent there if you are out of
the area. I would like to hear from others whose slides are processed at
this plant and if you also have found them to be as reliable as I have.
Years ago they did realist mounting, but not anymore.
Sheldon Aronowitz
- From: Mail Delivery Subsystem <MAILER-DAEMON@xxxxxxx>
- Subject: P3D Returned mail: User unknown
- Date: Sat, 12 Feb 2000 01:42:33 -0500 (EST)
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Date: Sat, 12 Feb 2000 01:41:55 EST
Subject: P3D Dale Labs and Kodak Processing.
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In a posting earlier this evening regarding Dale Labs, I neglected to mention
that the results are better suited for stereo images of half frame (nimslo)
or larger (5,7,or 8 sprocket) than for the viewmaster format. This is just
my personal opinion though, and you may feel otherwise. I just find that the
small VM image seems to suffer more from the slight loss of sharpness than do
the larger formats. However, since VM stereos can not be readily duplicated
in your average photo lab or by the use of your own slide copier, (assuming
that you do not have access to a Repronar or an Illumitron), then, basically,
for VM, your only choice is to shoot dupes in camera or to use Dale.
As far as some of the postings regarding the lack of dependability and
quality of some of the slide processing labs, I have found the Kodak (Qualex)
processing lab on Route 208 in Fair Lawn, N.J. to be quite dependable. They
do alot of processing of all 3D formats and I am not aware of any problems
encountered by anyone using them (not to say there aren't any - I just have
not heard of any from the many people I know who use them). There have even
been ocassions where one forgot to mention or ask for "do not cut - do not
mount" and they still, upon recognizing the 3D format, did not cut or mount.
I sometimes have the opposite problem when I shoot full frame and send it
through as "normal" slides for mounting, and get it back unmounted, since
they think that I forgot to tell them not to mount. I then have to explain
that even though it is 3D, the full frame format can be mounted without
destroying the pictures. They have trouble understanding that concept,
despite my attempts to explain it. This is not a problem anyone else has to
worry about, as I have been using them for over 20 years for VM, Realist,
Nimslo, and full frame and they expect that all my slides are 3D, even though
there are times when I do shoot flat. (but they are rare ocassions!) I do
not know if you can designate your film to be sent there if you are out of
the area. I would like to hear from others whose slides are processed at
this plant and if you also have found them to be as reliable as I have.
Years ago they did realist mounting, but not anymore.
Sheldon Aronowitz
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