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[photo-3d] Silver screens
- From: "John Goodman" <jgood@xxxxxxxx>
- Subject: [photo-3d] Silver screens
- Date: Wed, 8 Nov 2000 21:39:01 +0900
Using aluminum powder metallic paint to make inexpensive
stereo projection screens seems like a miracle, as any smooth
surface can become a window to projected 3-d images. But
achieving the best results (as always) seems to be an art.
My first aluminum paint screen had a one-coat thick sprayed
surface, and the results were satisfactory, if not outstanding.
The next iteration has an additional sprayed coat, textured with
a half-dry paint roller to stipple the surface, hopefully to provide
a brighter screen with less directional reflectivity. It seems to be
a slight improvement over the sprayed-only version, but there
is still considerable directionality. There's a relatively narrow
brighter area along the reflected axis of projection, with a
corresponding falloff in brightness elsewhere.
I'd be grateful for practical input from people who have
experience with both DIY aluminum paint screens and the best
commercial silver screens (such as Stewart Film's Silver 400 ?).
Do all silver screens by their nature suffer from pronounced
brightness falloff at relatively narrow angles of incidence? How
pronounced is this for the best commercial examples? For
small screen sizes (say 4' x 6' or smaller) the perceivable detail
in slides seems to be finer than the pitch of some lenticular
screens, so the "grainlessness" of silver screens is very
attractive.
John Goodman
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