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[photo-3d] Re: Twinned XAs
- From: Mark Shields <beamsplitter@xxxxxxxx>
- Subject: [photo-3d] Re: Twinned XAs
- Date: Tue, 13 Feb 2001 17:42:38 -0500
Gary,
>Mark, I disagree with you on just about everything! Of course it
>doesn't
>mean I don't love you! ;)
That's a good thing! :=)
I used to bracket like crazy with my Pen FT's. If it was something
I really, really wanted and it was holding still, I would sometimes
go 7 stops. And with 72 exposures on a roll, I could afford to
without breathing hard. But that was with Kodachrome 64. Kodachrome
200 has considerably more contrast. Most of the time I like it, and
a less contrasty film like Elite Chrome 200 strikes me as being
kind of blah. It's a personal preference. And the more contrast
a film has, the less range you have for proper exposures. I did
indeed used to think awhile about which one of my bracketed shots
I wanted to use with Kodachrome 64. Not too often with 200.
>viewing. What seems perfect in a viewer might seem quite >underexposed
when
>projected.
That's very true, especially with my Biax-illuminated beamsplitter
viewer. I do shoot for the brilliant illumination. If I were to
start projecting, a lot of my shots would be useless.
>tremendous waste to shoot 8p images only to crop them down to
>beamsplitter
>format 4p!
I really think 5p would be ideal, given the light falloff in the
corners with the XA lens/shutter combination. The high contrast
of Kodachrome 200 aggravates the light falloff as well. If I should
happen to come across a nice 41X101 slide viewer with interocular
adjustment, focusing, really sharp lenses, and longer focal length
lenses, that wasn't too expensive..... I used to mount a lot of
flat slides in square mounts. All other things being equal, that
is my preference. I'm always exploring, and I didn't buy the
FED Stereo to use for a paperweight! :-) I'm also in the middle
of doing my first roll of Provia 400F in a Yashica Samurai X3.
FWIW, I also caved in and got a very nice Kodak Instamatic 500
on eBay for $9.95. I got it mostly to collect it, as 126 film
is nearly impossible to find now. But it's a beautiful camera;
my former Instamatic 500 was my mainstay for night shots when I was doing
126 Kodachrome 64, as I did for many years. The 38mm
Schneider Xenar is dreadfully sharp and nicely free of flare.
And of course the Compur leaf shutter is quiet as a mouse. The
coupled selenium meter in this one still works!
>I know we both agree on one thing. Regardless of how you approach >it,
once
>you do stereo photography, there's no going back to a flat world!
Amen!
Mark
-/\_/\-
( O O )
===^===
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