Mailinglist Archives:
Infrared
Panorama
Photo-3D
Tech-3D
Sell-3D
MF3D

Notice
This mailinglist archive is frozen since May 2001, i.e. it will stay online but will not be updated.
<-- Date Index --> <-- Thread Index --> [Author Index]

Re: Kodak HIE & 4x5 Film Holders


  • From: George L Smyth <GLSmyth@xxxxxxx>
  • Subject: Re: Kodak HIE & 4x5 Film Holders
  • Date: Sun, 08 Dec 1996 15:18:42 -0500

James Norton wrote:
> 
> 1. My 4x5 film holders are Lisco Regal II film holders.  Now since they
> are made of plastic is it possible to use them with the HIE?  Are they
> enough to block the upper wavelengths?  I can't really afford to spend
> $50 on metal film holders.

You "should" be able to, though I have no experience with them.  Look at
the top of the dark slide.  Are there five dots or bumps there?  If so,
then the dark slides are IR-proof, and the holders will probably work
just fine.

> 3. Considering that each shot costs about $2 each, can I use a roll of
> 35mm HIE to test bracket and then apply those results to the 4x5 format?
> I'm assuming that I could...I just want to be sure. Thanks again everyone.

This won't work because of the different development techniques for
these film types.  Also your meter will probably be different and your
lens will certainly be different.  Anyway, you're not going to shoot an
$8 roll of film, develop and print it, and get back out in the same
light to reshoot.  Best is to assume that the first box (yes, I know how
expensive it is) will be used to test the film.  

Shoot a scene with three sheets at the EI you've come comfortable with
(for me, it's generally about EI250).  Develop the first and print it. 
Certainly, there will be problems.  Adjust your development of the
second sheet and try again.  Chances are that the third sheet will get
you very close to what you want.  Was the exposure correct?  Look back
at your notes (ALWAYS TAKE NOTES) and adjust the film speed - shoot two
sheets - develop and print individually.

Soon, you'll be confident enough to shoot one sheet per scene.  Take
time of year, time of day, light conditions, weather, and anything else
you might think relevant into account and compare against your earlier
notes.  It'll become second nature after a while.

For tube processing shot at EI250, you might want to look at Rodinal
1+50 70F 9 minutes as a starting point.

Good luck -

george

-- 
 Handmade Photographic Images     
  http://www2.ari.net/glsmyth/

------------------------------

Topic No. 16