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The 18% myth
- From: "Lennart Rydstrm" <clrphoto@xxxxxxxxxx>
- Subject: The 18% myth
- Date: Sun, 26 Oct 1997 14:04:16 +0100
THE 18% MYTH
To Helmut, Cameron and Jim who showed interest.
What I refer to when I state 18% gray to be a myth is the widely spread common statements:
1. To provide proper exposure, take a reading from a l8% greycard.
2. Anything you take a reading from will be rendered as l8% density.
3. Zone 5 corresponds to l8% gray.
Unfortunately l8% is the wrong shade of gray for photographic purposes.
It is NOT properly related to ISO.
Some definitions.
Std BLACK reads 1.6 in a densitometer and
std WHITE reads 0.1.
Range black to white: (1.6 ./. 0.1) =1.5 = 5 full stops. (5x0.3=1.5).
The exposure meter.
If we, theoretically, divide the meter into two parts:
1. the photodiod (cell) and
2. the calculating dial
we find:
The explanation of the 18% myth.
The photodiode is a device which cannot know what it is aimed at.
It cannot differentiate for eg. light from shadows.
It just reads the amount of light falling upon it - in a 5 step luminance scale.
The "output" value is displayed with som kind of pointer.
Should a meter require service, to function with absolute accuracy,
the cell output is adjusted against a 18% gray reference.
In the good old days
you had to manually transfer a value from the pointer to the calculation wheels.
Today it is automatically done.
When transferred, the "5-step pointer value" is recalculated to a value equal to
the exact mid tone in a 7 step grayscale. READ THAT AGAIN!
In Practice:
A. Taking a reading from a 18% gray card renders a "print tone" different
from 18%.
B. Taking the reading from a referens equal to the mid tone in a 7 step grayscale
renders an unchanged outcome.
Taking the reading in an open shadow (in the subject area) will be congruent
to the old rule:
Expose according to the shadows.
This is 100% applied ISO.
You control your camera settings to a fully predictable result. For every
single frame!
Why I am "lyric" about the CLR system?
It works with great accuracy in all light conditions. Whether one understand
it or not.
I do not need to pay a lot attantion to "exposure" any more. It just works.
The package contains two cards.
The first card is the one I described obove.
The second card provides accurate exposure for "C-41 and E6" films,
where highlight WHITE is the point of reference.
You will find CLR homepage on http://algonet.se/~clrphoto/
A double click on the CLR head logo opens up a compendium with full description.
Unfortunately its given in swedish. Nonetheless the pictures and diagrams
will be
very instructive.
Cappuccinotime . . .
- -Lennart R
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