Bill,
Most purpose-built stereo cameras, when you open the back and
look in,
have the lenses closer together than the rectangular holes
which determine
the areas of the film to be exposed to the image. What this
does is to place
the "near point" (as calculated by J Bercovitz"s formula
etc.using lens separation,
focal length, maximum allowable on film deviation, etc.)
at the same distance
from the edge of each of the pair of images, so that when you
mount the images
with the "near points" separated by the same spacing as the
mount aperatures,
everything from the "near point"back will appear to be at or
behind the window.
Or, if you mount "for infinity" and place the two infinity
points a distance apart
equal to the spacing of the mount aperatures plus the "maximum
allowable on
film deviation" (usually 2.5 to 2.8 mm for medium format) then
again, all items
will appear to be between infinity and the "plane" of the
mount. All of the above
assumes nothing was closer than the determined near point.
Anyhow, one way
to achieve the same effect using two separate cameras is to
toe them in, or point
them slightly toward one another, so that the "near point"
appears at the same position
in each of the cameras.
Best wishes,
John Billingham
(Y"all please feel free to correct this as
neccessary)
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