Mailinglist Archives:
Infrared
Panorama
Photo-3D
Tech-3D
Sell-3D
MF3D
|
|
Notice |
This mailinglist archive is frozen since May 2001, i.e. it will stay online but will not be updated.
|
|
[MF3D.FORUM:635] Re: Image overlap
- From: "Dr. George A. Themelis" <DrT-3d@xxxxxxx>
- Subject: [MF3D.FORUM:635] Re: Image overlap
- Date: Thu, 01 Jun 2000 16:22:33 -0400
>I got to wondering whether part of Bill's problem is not
>enough image overlap on some of his wide base shots. How
>can he calculate that (as opposed to just measuring it
>after the shot)?
The amount of the "unrelated" scene
is equal to the deviation between near point *and infinity*
or, in my terminology FB/I (F: Focal length, B: Stereo Base, I:
distance of near point). As you come closer (I increases) then
the unrelated scene increases. Large focal lengths and stereo
bases work against you too.
A close-up of a relatively flat object (necessitating use of a
wider base) with long lenses (because the subject is far
away) is the worse combination in ordinary stereo photography.
Another way to write this (useful in ultra close-ups) is M*B
where M is the magnification. If you are working at M=1
and you shift the camera by, say, 10mm, then you just
"lost" 10mm of image overlap. If you shift 36mm with a
35mm camera at M=1 then the right and left views will be
totally unrelated (not a very appealing stereo pair).
As you come closer and closer, image overlap (or lack of
it) becomes a real problem and you are forced to use
tilt to record the stereo pair. The good news is that
keystone distortion is reduced because
the effective FL becomes M*F (M: magnification) so it is
really large. SEM stereo pairs with tilt at 1,000 or more
show no keystone distortion from a practical point of view.
In aerial photography I think they aim for 60% overlap
between successive stereo pairs. If you think of a
picture right down from an airplane, you can visualize
how F and B are related. If F is large (narrow angle)
then a smaller traveling distance of the plane (smaller B)
will give you the same 60% overlap.
George Themelis
|