Re: Duel

[Harold Wong <hgw@xxxxxxxxxxxxx>]

In addition to various cameras, there needs to be various subject matters.
Landscape with both even and dramatic light changes, busy intersection and
lastly, interiors with a bright large window, artificial lighting and darken
shaded area. Then take the above and apply it to night time/lowlight setting
and you'll see the strengths and weakness of each of the cameras.

Can we officially call this the 1st Annual Panoramic Shootout?

3/18/01 9:09 AM, "Joe McCary" <mccary@xxxxxxxxx> wrote:

> More thoughts on the Duel!  I am hopping that this duel will consist of more
> than just two cameras.  It would be a shame to waste the exercise on 2
> narrow sections of such a wide arena (nice pun huh).  Instead of only two,
> how about if the duel includes some varriances, pulling from the many
> varried styles of cameras: 617 fixed lens (Linhof/Fuji); Rotational cameras
> (Noblex/Widelux); Stitched digital; Stitched film; and lastly combinations
> of these (stitched film maybe, Noblex images into 360°)?
> 
> Lets consider:
> 1. 360° both cuircuit and stitched (and maybe a combination of the two
> (maybe a Noblex film stitched together into a 360°)).
> 2. Narrow pans to include Fuji/Linhof 617 VS Rotational Pans VS Digital
> varriations
> 3. Indoor Group shots Circuit VS Digital VS High Speed Film rotational VS
> 617 shot with strobe.
> 
> Any others someone can imagine?
> 
> Joe McCary
>