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Re: format/mounting questions
- From: P3D John Bercovitz <bercov@xxxxxxxxxx>
- Subject: Re: format/mounting questions
- Date: Thu, 11 Apr 1996 14:42:15 -0700
Ted G. writes:
> question B) i have been doing some 35mm slide bar work, and
> would like to figure a way to view them in my Dr. T. modified
> Kodaslide II (soon to arrive, i hope) viewer. Has anyone tried
> using the European 'Extra-Wide' 31.5x23mm mounts for full frame
> 35mm transparencies, sacrificing the required amount of space at
> the side? Or the RBT "full frame" mount$ ?
I've tried the RMM/Spicer mounts and they work great! The excess
width cut off takes care of the stereo window. Actually, I've
done it with both their 31.5x23 Twin SLR and their 28x23 7-Perf
mounts. Both mounts work fine but the 28 wide is an easier width
to view in a carved-out standard viewer. RBT makes a beautiful
mount, as is well known.
> question III) what is the perceptual change from viewing slides
> made with a 55mm lens on full frame 35mm film, when mounted as
> Euro 'Extra Wide' pairs and viewed in a Kodaslide II (i don't
> know the FL of the viewing lenses). I figure that in close up
> work i should lose some film width anyway, due to non-identical
> coverage in each picture. But i don't know what the perspective
> change would be given the FL of the viewer lenses vs the FL of
> the taking lenses. The viewer was designed for roughly 35mm
> taking lenses, i assume. Does the view just appear closer when
> (infinity subject distance) images shot with a longer FL are
> used?
That's a pretty complicated question. The underpinning of stereo
vision (IMHO) is geometry but then you have to add a heavy dose of
the visual system's "horse sense". In other words, the visual
system is smart, plenty smart, and will make the best of a bad
situation. However, it pays in ease of viewing to keep the
geometry correct. For a look at the geometry, use anonymous ftp
or www to:
ftp bobcat.etsu.edu
Then:
cd pub/photo/photo-3d/technical
Then get:
orthomag.gif
orthosep.gif
Orthomag answers the question you're asking while its companion,
orthosep, may answer a future question.
Lastly, if you're going to be taking closeup slidebar pairs,
you're going to need to be careful about how much total depth is
in the scene. Naturally I recommend the Spicer/Bercovitz formula
8-) [ask me off-list about it if interested] but there are
others.
John B
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End of PHOTO-3D Digest 1279
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