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Re: Cooking in glass mounted slide
On Wed, 4 Dec 1996, P3D Cliff Howard wrote:
>
> The following is a quote from "The Source Book,
> Kodak Ektagraphic Slide Projectors"
>
> Transparency Life
>
> "In general, transparencies kept in open-frame mounts
> can be expected to last longer than those kept in glass
> mounts. A transparency mounted in glass has a thin
> insulating layer of air between it and the glass, and the
> heat from the projection lamp must be transmitted
> through the layer of air on each side of the
> transparency, and then through the glass. The
> transparency will get hotter before the temperature
> stabilizes than will a similar transparency in an
> open-frame mount. With an open-frame mount, the
> heat is carried away by air moving over the
> transparency surface."
>
> Sounds like the same principle that's used in double pane windows.
>
> Cliff Howard
>
>
Did this Kodak publication indicate how the slide was bound? Was the glass
sealed with tape? In the Kodak customer service pamphlet AE-36, a
balanced discussion of mounting with or without glass gives the advantages
and disadvantages for both methods. If protection from scratches and
damage is needed, they say "A scratched slide is a ruined slide. So
don't take chances with your valuable slides-protect them with glass."
If you handle your slides carefully, they give a technique for glassing a
slide on one side only. This is to flatten the film for projection
purposes, similar in intent to one-sided glass RBT mounts. Furthermore,
"Popping (often called focus shift) occurs with cardboard-mounted slides
when heat from the projector dries the film, snapping it into a slightly
concave, or dished, shape and requires refocussing of the projector."
Whether to mount with or without glass depends on number of factors,
and any method involves trade-offs. To choose the "best way" depends on
how you project or view your slides, how often, and how the slides are
stored and handled. Dennis Sherwood
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