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P3D Re: Stereo Cameras
It's been a while since we had such interesting questions....
>1. What are your favorite cameras based on picture quality, ease of use,
>durability, etc.
In 1988 when I picked up a Stereo Realist, I had only seen stereo cameras
in books and had never used any fully manual camera. It took me a few
seconds to figure out how the Realist works. Got a basic photography
book and learned about exposure. In nearly zero time I was up and
shooting. I remember being extremely pleased from my first roll. Through
the years I've grown to be more demanding but I still find my first rolls
to be very decent. In the next 10 years I have used mostly Realists but
have tried Kodak, TDC Colorist, RBT S1 and twin SLR cameras. I still
like the Realist the most because I have grown with it and know the ins
and outs of it. From conversations with other photographers I can
summarize things as follows:
Image Quality: Equivalent among Realist 3.5, Kodak, Revere, TDC, etc.
Ease of Use: Kodak is near the top and Realist near the bottom.
Durability: Realist will stand lots of abuse.
Price: Realist and Kodak are among the least expensive ($100 to $150).
If you are looking to pay around $150 or less then consider a Realist or
Kodak. If you can go up to $300 consider a Revere, TDC Colorist II,
TDC Vivid, FED. If you can go up to $3000, consider an RBT.
You mentioned going to NSA. My experience is that you will not find
that many stero cameras there. In the Atlanta convention a few years
ago a friend of mine was looking for a stereo camera and the choice
was very slim. I will have a few Realists. Stop by my table!
>2. If you could only own one stereo camera, which one would it be?
For me, right now, my 2.8 Realist which is modified for 7p.
-- George Themelis
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