P3D Re: Fiso's barrier technology

[ZEXIAN SHEN <Z.SHEN@xxxxxxxxxxxxxxxx>]

> 
> ------------------------------
> 
> Date: Thu, 11 Feb 1999 15:34:09 -0800
> From: Larry Berlin <lberlin@xxxxxxxxx>
> To: photo-3d@xxxxxxxxxxxxxxxxx
> Message-ID: <199902112334.PAA26813@xxxxxxxxxxxxx>
> Mime-Version: 1.0
> Content-Type: text/plain; charset="us-ascii"
> 
> >Date: Wed, 10 Feb 1999
> >From: Lincoln    www.lincoln3d.com
> >......................  But one
> >other aspect George didn't touch on was that it is not just the users
> >(or lack there of) of slides that will kill the slide, but the fact
> >that the public doesn't in there mind like slides as much as prints.
> >People want to be able to hang it up, and enjoy it on the wall from a
> >distance.  At least in the "fine art" way of getting the work out
> >there that is how it is.  I am finding that I will probably start
> >selling some my work not only as prints, but as {YUCK!}2d prints.  I
> >want my work out there, and there has been an interest from a few
> >galleries, but none want the slides.
> >
> >Now that I have purchaced 2 more working stereo cameras (from Dalia,
> >thanks), I will be back to having shoots with people next week.  I
> >will still shoot some 2d images with an slr in black and white for the
> >people that pose for me, because that is what they want, but for the
> >galleries I will probably have some of my stereo pairs put onto
> >photoCD, and then I will manipulate them in Photoshop, and then have
> >them printed as single 2d imgages.  If I am talented and lucky enough
> >to eventually make a name for myself, I will try and use that to get
> >people interested in the stereo versions of the work that they will
> >have already been familliar with.
> >Wish me luck.
> >
> 
> ******  You should give serious thought to using the services of Fiso
> Stereographs and have your images made into barrier strip images. These are
> very impressive, easy to present in a gallery type setting and you won't
> have to 2D-ize any of your excellent 3D work. I think it best to NOT cater
> to the 2D crowd. Far better to educate them to what we know and agree is the
> better medium. It's simply illogical to use a 2D image to persuade or
> encourage an enjoyment of 3D. There is little comparison there to make. If
> it's 3D, and all they have to do is look, then your artisitic qualities can
> be relatively complete in the way you envisioned it to be when you made your
> images.
> 
> If you haven't seen the samples that Jason Shen was circulating to many of
> the group's members, I'm sure he can arrange to get one to you in the near
> future. They are very worth seeing. I noticed that they have to be viewed
> for best effect from a distance of at least 4 to 5 feet. They can arrange to
> manufacture them with a closer viewing angle, but for public exhibition,
> this distance does seem to be the right one.
> 
> Larry Berlin
> 
> Email: lberlin@xxxxxxxxx
> http://www.sonic.net/~lberlin/
> http://3dzine.simplenet.com/
> 
> ------------------------------
The barriers are stronger 3 D effects than the lenticulars. However, the
older barriers were of double/jumping images and darkness. Fiso's
barrier technology solved these problems so its images are smooth,
bright, natural and colorful. That is, it is a good combination of the
strengths of the best 2 D and 3 D photos.

The circulations of the barrier samples are along both the west and east
sides in the United States. The samples of the west side are in CA and
the sample of the east is in MD. And I am sending a sample to Europe
now. If any 3 d or marketing/advertising professionals in the U.S.A. or
Europe want to view the samples, you could e-mail me so that I could add
you to the viewing list and arrange the samples to you as soon as
possible and you have got to mail somebody else after you view.

My purpose is to build up a solid base on the support of 3 D
professionals so that 3 D professionals could express their ideas in
good 3 D arts like 2 D arts so that more people could view the 3 D
professionals' artworks without the aid of special glasses. And more
importance is to let 3 D professionals make more money than even famous
2 D professionals because more clients are interested to order their
artworks to adverting or display in gallaries. 

Jason Shen
Fiso Stereographs Inc.


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