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P3D Re Need help getting started with Lenticular
- From: abram klooswyk <abram.klooswyk@xxxxxx>
- Subject: P3D Re Need help getting started with Lenticular
- Date: Sat, 27 Mar 1999 17:34:16 +0100
Larry Berlin wrote (P3D Digest 3263, 25 Mar 1999):
>(...) a multiple imaged lenticular allows a greater deal of movement
>of the head with a greatly reduced sense of spatial distortion.
I agree.
>(...) I'll take as many lenses as possible as the *better* option,
>taken on a theoretical basis.
This is right of course when you compare lenticulars with other
lenticulars. That also is the reason why David Burder used a many-lens
camera and why Bonnet (and earlier workers) used a large angle.
My reaction "TWO lenses are best" only applies to _depth resolution_
when comparing lenticulars on the one hand with classical twin-view
presentation on the other.
I have the idea that many stereoscopists don't know that the
_theoretically_ best depth resolution of lenticulars is far below the
depth resolution of even average twin-view stereos.
Tom Kidd asked me off list on lenticulars:
> (...) What fascinating ones have you seen?
To my mind come work by Hugo de Wijs (Netherlands), done with a
professional WT-102 camera, which had a build-in lenticular screen,
and a few impressing ones by David Burder (England), who used
different techniques among which a long many-lens camera (I forgot
the number, it was some 10 lenses ?).
Most of their work are commercial ads, but some of them are really
nicely done artistic work.
I probably was most impressed long ago in Paris (perhaps because it
was the first large lenticular I have seen) by a large insect (about
one meter high), a macro shot done with the special setup of Bonnet.
He use a camera moving in a circle segment (I have spoken with
Mr Bonnet on that occasion in Paris).
Abram Klooswyk
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