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[photo-3d] Provia !!
- From: "Hans A.J. Middendorp" <ajhans@xxxxxxxxxxxxxx>
- Subject: [photo-3d] Provia !!
- Date: Wed, 02 Aug 2000 07:38:26 +0600
Yes, Provia RDP II - 100 ASA for Stereo!
I have used Provia for years and it is _very_ good under tropical
conditions, i.e. f16-22, 1/200 mid-morning (dry season), but very 'hard'
contrast, flickering reflections, 'washed out colours' etc.
Occasionally, I had to switch to Kodak E6 film - Two years ago, the New
York UV haze in September turned out bearable on Provia (then I ran out of
film and Provia was not easily found in NY), but simply un-viewable on
Kodak E6, unless you like magenta a lot. Also last year, I ran out of
Provia while in Nepal. What happened: Kodak E6 had over-exagerated
contrast, and everything not just a little greenish, but really green!! ...
To be sure, all my films rest in my fridge before and after shooting, until
developing in Holland. Price of a role of Provia is just less than 4 USD
here in Bangladesh.
Yes, I did try Sensia 200 as well, but I found it much more grainy compared
to Provia 100 and not worth the extra f-stop. This seems to be in
contradiction with the Table posted below, were the RMS value is only about
10% different between Provia and Sensia? How should one understand these
values?
>Paul Talbot wrote:
Film Code ISO RMS Resolving Power*
---- ---- --- --- ---------------
Provia F RDPIII 100 8 60 ; 140
Velvia RVP 50 9 80 ; 160
Provia RDPII 100 10 60 ; 140
Astia RAP 100 10 55 ; 135
SensiaII RA 100 10 55 ; 135
Provia 400/SensiaII 400 RHP/RH 400 15 40 ; 125
> Linda Nygren wrote:
> >I am very pleased with the results I get from Provia 100
> >(since I moved up from Sensia 100),
> I'm delighted to see at least one convert! Although it is
> frequently recommended, to my eyes Sensia is just not good
> enough for stereo in the 35mm format. With Provia F now on
> the market, the price of RDP II has fallen quite a bit. For
> a small difference in price you can get a much better film
> for stereo by switching from Sensia to Provia.
> Paul Talbot
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