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[photo-3d] X-ray stereos
- From: Peter Abrahams <telscope@xxxxxxxxxx>
- Subject: [photo-3d] X-ray stereos
- Date: Fri, 23 Feb 2001 20:42:26 -0800
>But the funny thing about stereo-x-rays is that both work with
>parallel as well as with cross-eyed viewing.
Not funny if you're trying to mount them. When I had the rare opportunity
to shoot the shell xrays (using a radiology lab at a college, & borrowed
shells), I was very inexperienced at mounting; and also I didn't mark the
original film L & R. I had a few days to mount a series of slides for the
NSA meeting in Bellevue, and had a terrible time determining the correct
mounting.
You might think that either way - correct or reversed - would do, but the
orthoscopic view looked better & was easier to view, than the pseudo view.
This might be because the foreground was slightly more magnified than the
background; also we used a very large disparity between L & R (after all,
some shells are almost spherical). But I believe there was one other
reason why there was a subtle difference: almost all shells corkscrew in
the same direction, like a 'dextral' corkscrew -- not like a 'sinister'
corkscrew. If I remember correctly, pseudo mounting causes the spiral to
reverse -- but sometimes even that was hard to tell.
One other problem with seashells: because they spiral, the top & bottom
tips of the L & R images are offset vertically, so determining the correct
vertical placement is tough.
And one other problem: in the radiology lab, we would set the film down,
set the shell on the film, and shoot the L image. Then lift the shell &
set new film down, then lower the shell. We were careful not to rotate the
shell, but we didn't use a jig -- and should have; because there was slight
rotation in some images. This absolutely drove me crazy in mounting -- a
little rotation in a rounded seashell is mighty tough to eliminate. Again,
you'd think you could leave it imprecisely mounted, but it just didn't look
right until everything was correct.
It was a real trial by fire, actually induction & introduction by fire; but
one thing for sure; mounting has been shorn of its mystery & terror. I use
RBTs and take my time; but I'm not hesitant to monkey with the chips.
Also, the image of the rose that we're discussing, where L & R can be
reversed, is a rather chaotic image. The very simple flowers like
daffodils might be a problem if reversed, especially if the camera was very
close to them.
There is a stereo book of rocks & minerals, with crystallographic models
made of wire & cellophane. If you take a closeup stereo photo of a clear
cube with an X on the front face, then another stereo photo with the cube
reversed, and compare a pseudo of the one with an ortho of the other --
will they look the same? They might, but I think there will be conflicting
cues between the two.
Using an x-ray gun, you either rotate the object; or slide & tip the gun.
Generally, with transparent objects, you need less disparity between the
images, because you're seeing the front & back surfaces of the object. You
can tip the gun so that it rotates about a point at the middle of the
object, or rotates about the front or back surfaces. You could use a
simple lateral motion of the gun to make L & R images with less disparity
than tipping the gun; with the seashells we needed more distinctions
between the L & R. With transparent objects, you can place the window
mid-object, or front or back.
>know how the real flower looked there is no way to tell
>which pair is pseudoscopic and which orthoscopic, because
>the x-rays pictures are totally transparant.
If you foolishly don't mark your film L & R; there are a lot of variables:
the object could be facing towards or away from you; the chips could be
reversed L-R; the chips could be reversed front to back (I was working with
35mm copies of 8x10 xrays); and the operator could be confused. It is all
a very interesting pastime, but I was in a panic as the NSA meeting
approached to some dozens of hours away. If I hadn't had the help of John
Dennis of Stereo World (who converted them to 35mm) & members of the
Cascade Stereo Group, I'd have been sunk. I also wrote some messages to
P3D, which caused George T. to respond, 'you've never been to one of these
meetings have you?' -- I didn't know what he meant until I got there & saw
that standards of mounting were not uniformly high.
Anyway, the presentation was a great success.
I hope to figure out a way to display the 8x10 originals at the NSA meeting
in Portland in 2004. I have enough frosted mylar, and a few large viewers,
but I need a window to mount them on, or a sufficient quantity of
background lights.
I might not have another opportunity to do more xrays, but I have a
collection of transparent mineral crystals to photograph, and various
prisms & lenses. I just shot a roll at an ice sculpture show; I'd never
seen absolutely clear ice -- it was beautiful & I hope the stereos work,
unfortunately there were no plain backgrounds to be had. Also cut crystal
vases, art glass, maybe ghosts if I can find some.
--Peter
_______________________________________
Peter Abrahams telscope@xxxxxxxxxx The history of the telescope &
the binocular: http://www.europa.com/~telscope/binotele.htm
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