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[photo-3d] Trick/Creative photography in 3d - Part II
- From: "Dr. George A. Themelis" <drt-3d@xxxxxxx>
- Subject: [photo-3d] Trick/Creative photography in 3d - Part II
- Date: Thu, 29 Mar 2001 07:07:53 -0500
*** Multiple Exposures
This is a simple area of trick photography that can be
readily explored with a stereo camera. Most stereo cameras
from the 1950s allow to double expose a frame. In earlier
Stereo Realist models, double exposures are often done
unintentionally.
Objects superimposed in the two exposures will appear
transparent. Typical examples are the "ghost" or "angel"
pictures which are occasionally seen in turn-of-the-century
stereo views. To avoid this effect you will need to use a
dark background and be careful not to overlap bright objects.
One example are the "twins" (same person recorded in two
different areas of the scene).
*** Object placement Control
Multiple exposures usually require good placement control
of objects in the scene. This can be achieved by marking
the location of key objects in the camera viewfinder directly
with a marker. I have done this with my Stereo Realist,
which has the advantage of a large, centrally-located view
finder. These marks can be later cleaned with alcohol.
I have also marked my Realist with a generic "X" to mark the
center (see top right picture). A set of grid lines will
divide the viewfinder into several sections. This can aid
general composition, in addition to trick photography work.
*** Example: "Live Portrait"
Here is how I applied a simple double exposure to take a
picture of me, next to a "live" portrait of myself:
First I took a picture of myself next to a picture frame
which was covered with a black cloth inside (no picture).
Then I marked the location of the frame in the Realist's
viewfinder and I also measured the exact distance of the
frame from the camera. Then, without advancing the film,
I moved the camera outside in the dark (it was night) and
changed to all dark clothes. I positioned the Realist and
placed myself right where the frame was in the first picture
(using the marking in the viewfinder) and I made sure I was
standing just a bit behind the distance of the frame and I
took a second picture.
(Note: The newsletter reproduces a similar picture taken
by Tommy Thomas and found Tommy's article on "Trick Stereo
Photography" in the Stereo Realist Manual book.)
To be continued....
George Themelis
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