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T3D macro stereo
- From: john bercovitz <bercov@xxxxxxxxxxx>
- Subject: T3D macro stereo
- Date: Tue, 29 Sep 1998 13:30:15 -0700
As long as macro stereo has been mentioned (albeit a week back),
I thought I'd toss in this Excel spreadsheet I did a while back.
It tells you what really happens when you add a closeup filter to
your SLR's lens. You'll see that usually the focal length doesn't
change and it will show you how to calculate the change if there
is one.
John B
==================================================================
Formulas for combining two lenses
Formulas have been devised to determine what the focal length of a
combination of lenses is and where the focus of the combination
lies. (When I say focus here, I am talking about the focus for an
object located at infinity.) It is perhaps surprising that
combining two positive lenses does not always create a stronger
(shorter focal length) lens. There are actually only two
interesting formulas on the spreadsheet, LensCombo.xls. They are:
f1 * f2
the focal length of the combination = -------------
f1 + f2 - d
where f1 is the focal length of one lens, f2 is the focal length
of the other lens, and d is the distance between them. Actually d
is the distance between the lenses' principal points. The + signs
inside the lenses in the diagram are the positions of their
primary and secondary principal points, reading from left to
right. So d is the distance from the secondary principal point of
the first lens to the primary principal point of the second lens.
How do you locate a principal point? Just measure from a focus
back toward the lens a distance equal to the focal length of the
lens and you're there.
(f1 - d) * f2
distance to the back focus = ---------------
f1 + f2 - d
In this formula, f1 is the focal length of the first lens the
light hits and the distance to the back focus is the distance from
the secondary principal point of the second lens to the back focus
for the combination of lenses.
Since we now have the focal length and the position of the back
focus, we can calculate the position of the secondary principal
point of the combination. That's what the less interesting
formula on the spreadsheet does.
Since light can be run through a lens combination in either
direction, I have also included on the spreadsheet the
calculations for the condition where light is run through in the
opposite direction from normal. The focal length is the same
either direction, but of course the front focus will be located in
a different place than the back focus.
Application
It is interesting to note that the front focus of most 50 mm SLR
lenses is just about right at the filter ring. This is good
because then if you screw a filter on, by the first formula, d
will be equal to f2 and so even if the filter isn't perfectly
flat, the combination of it and the 50 mm lens will still have a
focal length of 50. Same is true if you screw on a closeup lens.
The significant effect is on the position of the back focus. It
won't be much different for a bad filter but it can be a lot
different for a closeup lens, just as intended. A closeup lens
moves the secondary principal point of the lens away from the film
just as if you had added an extension tube between the lens and
the camera body.
John B
PS: Did you see a question in Pop Photo's recent quiz about the
effect of a closeup lens? Did you answer "none of the above"?
Good.
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