Mailinglist Archives:
Infrared
Panorama
Photo-3D
Tech-3D
Sell-3D
MF3D
|
|
Notice |
This mailinglist archive is frozen since May 2001, i.e. it will stay online but will not be updated.
|
|
Re: Big Viewfinders = Cheating?
- From: Eric Goldstein <egoldste@xxxxxxxxxx>
- Subject: Re: Big Viewfinders = Cheating?
- Date: Sun, 25 Feb 1996 20:16:02 -0500
JakeKristy@xxxxxxx wrote:
> Do modern professional photographers ever use video monitors
> to compose their work (as I bet the Portrait Masters at Sears and K-Mart do)?
Can't help with you what Sears or K-Mart do, but I can tell you that modern
film-makers/directors use a device called a "video tap" to allow them to see
what their film cameras "see" while film is rolling. The term "see" is used
advisedly here, because while you can judge composition and action, you can't
judge the light, or contrast, or DOF (the nature of video vs film, I'm afraid).
Most film-makers I know kinda dislike it; it is no substitute for looking
through the viewfinder, which they can only practically do before the shot and
in rehearsal.
Since modern photographers _can_ look through the lenses on their reflex cameras
(they don't need to rely on camera-people to operate the much simpler
equipment), they do so copiously and joyfully; never have I heard a still
photographer pining for a video display through his lens, _unless_ he or she is
using a digital camera. When using digital, composing through the video monitor
allows the photog to compensate for the various artifacts the electronics
produce (ie changes in hue, saturation, contrast, resolution, etc.)
> Do those cameras with the nice big ground glass viewfinder give an unfair
> advantage to the photograher?
I always found the inverted, dull images on the ground glass to be far less
telling than a good, bright reflex display... perhaps it is a matter of what one
is used to?
I have in the past for certain critical stereo sessions opened both the back of
my stereo camera and the shutter, placed a ground glass in the film channel, and
did my shot prep while staring at the image through an Agfa loop. If you want to
really _know_ what you are focused on, and how much DOF you really have, there
is no substitute with the 50's cameras...
(Can't use this method with Iloca or Leica, BTW!)
Eric G.
egoldste@xxxxxx
------------------------------
|