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M.J. Diness - stereography
- From: P3D John Barnier <jb@xxxxxxx>
- Subject: M.J. Diness - stereography
- Date: Tue, 27 Aug 96 23:00:29 -0000
Hello all,
I'm new to this list so please excuse my initial blunders in
communicating.
Until a couple of years ago I was the owner of the archive of Jerusalem's
first resident photographer, M.J. Diness.
Besides being the first resident photographer, he was also the first
resident of the Middle East to do sterography (not the first person doing
it there, just the first resident). Included in his archive of
negatives, prints and diaries were twenty-some stereo negatives (colldion
wet plates, all), mounted stereo cards and loose stereo prints. The
cards, albumen; the loose prints, silver gelatin.
It seems he used two or more different cameras to produce his stereo
views: some are simple side-by-side pairs -- but the exposures were made
at slightly different times. People move between one shot and the next.
Was this typical of the times (late 1850's)? Was he using a camera with
just one lens and either shifting the lens or shifting the plate holder
between exposures?
His other camera was an 8x10 that took six simultaneous exposures ( I
think they were simultaneous). None of these have people in them, or any
other means of judging movement between exposures, so I don't know if his
camera was of a CDV design to allow mass production of six images per
negative -- or if he was mass producing stereo views, in this case, three
simultaneous stereo pairs. They are a bit smaller than typical CDV image
size, yet not really close enough together for a good stereo effect (or
maybe my eyes are getting older than I thought and I just couldn't focus
on them correctly when viewed with a stereo viewer).
Any thoughts or helpful hypotheses? Does anybody know where I can go to
find info on collodion stereo photographers or their techniques? Even
better, does anyone have samples or histories on early Middle East stereo
photographers? I'm giving lectures this fall on Diness and I'd like to
fill in some of these stereo gaps if possible. Unfortunately,
stereography is not one of my familiarities.
Help from anyone is greatly appreciated!
Sincerely,
John Barnier
John Barnier
12560 Morris Trail North
Marine on St. Croix,
Minnesota 55047 USA
jb@xxxxxxx
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