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[photo-3d] Re: Ricoh XR10M synch
- From: King3ddd@xxxxxxx
- Subject: [photo-3d] Re: Ricoh XR10M synch
- Date: Fri, 21 Apr 2000 02:29:04 EDT
In a message dated 00-04-20 20:45:13 EDT, Peter Davis writes:
<< isn't this a manual focus camera? I don't understand how you can shoot
fast moving subjects if you have to focus both cameras manually. Am I
missing something?
If this is NOT a problem, how easily and cheaply can these cameras be
had? I've been using a twin Ricoh Shotmaster II rig which I really like,
but I'd like to upgrade to a more robust, flexible camera.
>>
This is a manual focus camera. I have 3 pairs of lenses - 28s, 50s, and
135s. With the 28s you can pre set focus from about 7 feet to infinity,
depending on the F stop. with the 50s you can set focus from about 10 or 12
feet to infinity, again depending on F stop. I just use the 135s for long
hypers. The Ricoh XR10M bodies are available for $169 per body. I am not
told the exact number of bodies still left, but I am told there is still a
"large Supply" - and this after the 12 or so people I have sent over have
purchased a total of about 36 bodies. Lenses are Pentax K mount and are
available at B & H for $59 for the 28mm and a little less for the 50s. You
can find these lenses used at camera shows for a little more than half of
that. These lenses are plentiful and are readily available. I have never
tried zooms, but with a little more care in focusing and zooming, this is
quite possible. Of course you can easily use either extreme, so a 28 - 80,
for example, which could be had for about $60 used and about $100 new at B &
H, would give you a 28 and 80 "combination" lens without any more focusing
time than a lens of either mm. The cameras are auto exposure with manual
overide, but I have never used the auto mode - as I fear that there are times
when exposures may differ - not through any fault of the metering system -
but due to the nature of auto exposure sensitivity and the slight difference
in what each lens is seeing. My friend Jim Harp, who is very pleased with
this system I recommended to him, found that perfectly fine pairs can be
taken with one camera an inch or so behind the other - so as to keep the
distance between lenses similar to the realist spacing. I prefer the slight
hyper effect, so I have not tried this myself. Of course you could also use
the bottom to bottom Jasper bar for vertical pairs.
Sheldon Aronowitz
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