[MF3D.FORUM:1074] Re:

["Bill Glickman" <bglick@xxxxxxxx>]

After all this mounting, it raised a question.  When shooting chrome film,
as most people know, its hard to hold a sky while properly exposing the
subject...unless you want to wait around for days (sometimes weeks)  till
everything is perfect to shoot.  In such cases like extremely overcast days,
you get perfectly exposed subjects with no shadows, excellent!  However, the
sky holds way too much light when overcast and the chrome will become clear
acetate in the sky area.  This looks a bit awkward in the viewer of
course...but the subjects look GREAT.

      So I realize it would be hard to put in clouds and a sky in Photoshop
since you have to get that stereo placement right for the clouds.  And that
must be very hard, otherwise you all would not be running around with dual
rigs and stereo cameras in the first place!  But, it seems just throwing in
a solid blue sky maybe with a bit of graduation would fuse perfectly and
seem totaly real.  So has anyone attempted to scan some of these type shots
fix them up and reprint them either in a film recorder (digital printer that
prints to film) or on Trans paper in a home type printer?

Bill G