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Re: Synchro-Hyper Stereo
- From: P3D Dr. George A. Themelis <fj834@xxxxxxxxxxxxxxxxxxxxx>
- Subject: Re: Synchro-Hyper Stereo
- Date: Wed, 17 Sep 1997 16:11:52 -0400 (EDT)
Gary Schacker, you are a genius!!!
Now, how come I did not think of that? The way I have been doing it, I
have a short bar (24" I think) and I can slide the cameras in it, which
gives me a range of 6" (side-to-side) to about 24". If I need less than 6"
I use one camera on a slide bar. If I need more than 24" then I use one
camera and do the running back and forth thing. I got some nice
hyperstereos of Athens this way with my 24 mm lens.
Your method is simple and superior to the running back and forth thing:
>I place one camera on a tripod and aim it carefully,
>placing the split image line over a particular detail in the scene and
>keeping the camera as level as possible.
>I hand hold the other camera (Ricoh KR-10m) which is attached by a
>cable up to 12 feet long. I view through the hand held camera
>matching the composition much as you would using the run back
>and forth method.
It does eliminate movement and give better alignment. I'll try it next
time. Thanks Gary!
George Themelis
PS. A note for Franz: Don't worry about formulas. Use the 1/30 rule as a
guideline (camera shift = Distance of closest object/30). "Optimum" depth
is subjective anyway. Experiment!
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