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Re: [photo-3d] Re: Stereo Preferences
- From: Rory Hinnen <Rory.Hinnen@xxxxxxxxxx>
- Subject: Re: [photo-3d] Re: Stereo Preferences
- Date: Mon, 30 Apr 2001 09:35:30 -0700
John Goodman wrote:
>
> Mark Dottle writes:
>
> > I was selecting some of my favorite views to organize a
> > portfolio, and noticed the images I selected have one thing
> > in common. They all contain moving objects
> <...>
> > Limiting yourself to landscapes and scenics, although
> > enjoyable, IMO will not leave lasting impressions in the
> > minds of many people.
>
> As a relative newcomer to stereo, I enjoy just about any kind of
> subject matter, but do find a certain "strangeness" in certain
> views. For me there is a strong "tableau" quality to scenes with
> people who are caught in motion, an artificiality of the scene
> that the stereo aspect accentuates. Somehow, this doesn't seem
> to apply as strongly to insects, animals, or machines. I find
> stereo is especially pleasing with sculpture or architecture,
> perhaps because these are inanimate subjects. I think this
> motion strangeness factor will diminish as I gain more
> experience. :>)
Funny you mention this, it sounds very much like the recommendations
given by J. Ferwerda in the "Stereo Bible".
I agree there is a strangeness to them, but I consider that part of the
"art". If I'm using the camera as a documentation device, then yes, I
wish to decrease the amount of discomfort and strangeness in my images.
But if I'm trying to capture a moment, or make you think, or generate an
opinion, I might try to generate an image that will disorient you a bit,
force you to think about it as more than a recording of an event and
evaluate it as something else.
.r.
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